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When you visit the “Mini,” Trinity’s annual competitive art exhibition featuring the work of nine students, don’t be fooled by the prayer candles and altar, the messages of female empowerment on “prayer cards” and the names of queer women on the wall. The work by Ariel del Vecchio and Abigail Wharton is a stunning example of sacrilege and white feminism at its finest, as it masterfully erases Chicana/o artists and mocks practicing Catholics. Images of...